More from Bill Desowitz
Behind the Making of the Site of a Sect in ‘The Testament of Ann Lee’
Production designer Sam Bader explains how he re-created 18th century Shaker architecture in the middle of Budapest for the Mona Fastvold film.
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Turning Dwayne Johnson into ‘The Smashing Machine’ Required a New Brow Bone, a Prosthetic Eyelid and a Whole Lot of Tattoo Removal
Prosthetic makeup designer Kazu Hiro details his process, right down to learning the actors’ sweat patterns and using seven different kinds of adhesive.
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‘One Battle After Another’ Editor Talks Getting “Woozy” Cutting Together that Climactic Car Chase
“There were times when I would have to look away,” recalls Andy Jurgensen.
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