"The Film Sense together with Film Form, by the internationally renowned Soviet director, are regarded as classic statements on the aesthetics of filmmaking. The Film Sense draws upon Eisenstein's experience in the creation of Strike, Potemkin, Ten days that shook the world, Old and New, and Alexander Nevsky to discuss films as a more expressive and profound medium that would appeal to all the senses, as well as the emotions and the intellect. The discussion ends with a fascinating analysis...
