Env

CHECK THE TEXTURE BREAK DOWN ON MY YOUTUBE CHANNEL : https://www.youtube.com/watch?v=ONZqQbE9aB8&t=18s SOFTWARE USED : 3ds max and substance painter and marmoset toolbag

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Some of the props that I did for Stray. Some of the assets are based on concept art provided by Viv

This project started last year in August as a small exercise in between projects to learn more about redshift render engine and its material system with no specific direction in mind, but it quickly extended into a full blown project and a rich learning experience to master photorealism and the technical aspects of redshift., every time i learned a new technique i applied it to the same project. It's nowhere near the level i wished it to be, but I got eventually bored from iterating it over...

This project is part of a larger environment I’m currently working on, titled Level_176 (working name). My main focus is on storytelling and achieving top-tier visual quality, all while keeping optimization a top priority. More details will be revealed once the environment is fully completed. The final project will be shared as a full breakdown post, but leading up to that, I’ll be sharing 9 individual posts—each one focusing on specific props from the scene. In this pack, I created the TV...

A little "Hello" from the past. Would you call from this one? This work was made on low-poly/high-poly pipeline. Telephone box - 10k triangles (3 UV sets 4k + 1 UV set 2k).

I had the pleasure of working on this Power Generator for the development of a "Realistic Prop's creation for Video Games" tutorial with Domêstika (https://www.domestika.org/es/courses/746-creacion-de-props-realistas-para-videojuegos/paulasfr) This asset's been made following all the necessary steps to fulfill the workflow of the actual video game's industry. This course is created for all people interested in learning to create assets for AAA games from scratch, as well as the workflow we...

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